유숩 하지페조비치

School of Applied Art. 1976-1980
Academy of Fine Arts in Belgrade, with Professor Stojan Celic. 1980-1982
[주요 전시]
2009 Roma Depotgraphy, MLAC Museo Laboratorio di Arte Contemporanea, Rome, Italy
2003 Scarecrows Depotgraphy, / Installations and Objects, Retrospective exhibition /, Ars Aevi in Collegium Artisticum, Sarajevo, Bosnia and Herzegovina
2002 Depotgraphers in Brugge / retrospective exhibition / Charlama performance, Hans Memling Museum, Brugge, Belgium
1994 Scarecrows Depotgraphy, Dennis Anderson Gallery, Antwerp, Belgium
1994 Strasbourg – Le Mans Depot, Musée d’Art Moderne, Strasbourg, France
1993 Sarajevo Sevdah / Berlin Depot, Kunst-Werke, Berlin, Germany
[주요 초대전]
2020
고성방가, 확장적 포효프로젝트 1초대 작가전(피움 아트밸리 피지엄, 고성강원도)
Gallery Nadežda Petrović, Memorijal of N. Petrović,To the south, to the south, we go to south, Čačak, Serbia
Muzeum of modern and contemporary art, Rijeka, Croatia
2017
New Art Memory and Imagination, Schema Art Museum, Cheongju, Korea
Mig 21, Fear of Drinking Water, performance, FNC Szentendre, Hungary
Tempano el problema de la institucional, Museo Contemporaneo Montevideo, Uruguay
2016
Migrants of mental spaces, Museum of Contemporary Art, Novi Sad, Serbia
“Upside down: How to accommodate criticism”, Museum of Contemporary Art in Belgrade, Serbia
2015
«War is over, let’s go to Venice», Kreuzberg Pavillon, Berlin, Germany
2014
«Memory Lane», Contemporary Art Scene from Bosnia and Herzegovina, performans Schöne Grüsse Aus Der Banditen Strasse, Galerija Agnès B, Pariz, Francuska
2009
Gender Check – Feminity and Masculinity in the Art of Eastern Europe, MuMoK Museum moderner Kunst Stiftung Ludwig Wien, Vienna
2006
La Contemporaneità dell’Arte, XII International Biennale of Sculpture of Carrara, Museum of Sculpture, Carrara, Italy
1999
Aspects / Positions, 50 Years of Art in Central Europe 1949-1999, Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria
After the Wall, Moderna Museet, Stockholm, Sweden
4th Istanbul Biennale, Orientation, Istanbul, Turkey
1995
Johannesburg Biennale, performance, Johannesburg, South Africa
1994
Ceci n’est pas une pomme, Contemporary Belgian Art, Foundation Carlos de Amberes, Madrid, Spain
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